Sculpture

A surreal image of a baby with a human face and teeth, dressed in a full-body grey wolf costume with ears, sitting on a wooden floor against a plain wall.

Petit Lapin | Little Rabbit 4x12x7 “, 2025

Déclaration de l'artiste

Mon travail est profondément ancré dans l’exploration de l’acceptation de soi, de l’identité et de l’expérience humaine. Mes sculptures photoréalistes visent à saisir les émotions nuancées qui accompagnent l’acceptation de son corps et de son identité, en particulier dans un monde où les normes extérieures dictent souvent l’estime de soi. À travers l’hyperréalisme, je cherche à transmettre les histoires discrètes mais puissantes qui se cachent dans chaque ride, chaque cicatrice et chaque expression, toutes porteuses des traces d’une histoire personnelle, de luttes et de triomphes. La forme humaine me sert de toile principale.

En créant chaque œuvre, je m’efforce de refléter la relation complexe que les gens entretiennent avec leur corps, à la fois le respect et le malaise… une invitation à faire une pause et à reconnaître la valeur intrinsèque de notre moi naturel et intact. À travers le portrait et la figuration, je célèbre les imperfections qui font de nous des êtres complets, en nous rappelant que chaque ligne raconte une histoire, que chaque détail contribue à notre identité.

Je cherche à favoriser un sentiment d’acceptation, non seulement de l’apparence extérieure, mais aussi du récit intérieur de chacun, en comprenant que l’estime de soi transcende les attentes de la société.

En fin de compte, mon art est une invitation à reconnaître la beauté qui réside dans la complexité de l’identité, encourageant les spectateurs à se percevoir eux-mêmes et à percevoir les autres avec davantage d’empathie et d’acceptation.

Le feminin divin

A sculpture of an elderly person in a yoga pose, lying on a textured white platform with hands stretched forward and head resting on the floor, with the words "Deep Sleep" written above against a plain background.

Sommeil profond, techniques mixtes, dimensions : 20 × 8 × 6 pouces, 2021

Créer des corps marqués par la vie, c’est une question d’appropriation et de beauté. C’est célébrer les accomplissements et les expériences gravés sur notre peau. Ce sont les traces de notre parcours de vie, qui mettent en lumière les marques du temps si souvent négligées. Ces corps, nos corps, renferment l’histoire, la résilience et la présence. Ils ne sont pas imparfaits, ils sont vécus, et ils sont visibles.

A tiny, detailed sculpture of an elderly woman with gray hair, lying curled on a white pillow with a textured cover, placed on a black surface.
Close-up of an elderly person's face, showing a woman with gray hair and closed eyes, resting her head on a person's hand. The image captures wrinkles and age spots on her skin, conveying a sense of tenderness and calm.
A hand holding a piece of paper with a photo of an elderly woman sleeping, with her face resting on her arm.
Close-up of a white sculpture showing part of a face with closed eyes, surrounding hair, and a man's arm resting on the sculpture.
A sculpture of an elderly woman with white hair, sitting curled up with her arms around her knees, outdoors against a background of trees and dark soil.
A sculpture of an elderly woman with white hair, sitting on a rock with her knees up and arms crossed over her knees, in a wooded area with trees in the background.

Rassasié céramique, huile, laine; 12 x 10 x 10 pouces

A sculpture of an elderly person with white curly hair, sitting nude on a small, cylindrical stone block, with a white ball covering their mouth.

Chewing-gum, polymère, verre, laine, bois,

12 po x 6,5 po x 5 po, 2021

Finaliste du concours « Beautiful Bizarre Art » (prix Yasha Young de la sculpture) 2023, pochette d’album pour le groupe Summerset Band, muse, femme fantaisiste et sûre d’elle. Vieillir est un privilège, grandir est un choix.

Opter pour le jeu, la fantaisie, l’exploration…

Tirages « Chewing-gum » disponibles – carte 6 x 9. Entrez en contact pour en commander un.

Close-up view of a person's hand holding a knitting needle and yarn, working on a knitting project, with a soft blurred background.
A woman with short hair, wearing headphones around her neck, is seated at a table holding a paintbrush and working on a project. The background features containers with art supplies.
A woman with curly red hair sitting on a textured white platform, surrounded by white decorative elements, against a dark background.

Genévrier, techniques mixtes, 12 po x 14 po x 14 po, 2026

Close-up of a person's skin with a tattoo, partially obscured by water droplets or tears.
A person with curly hair covered in white foam or whipped cream, looking down, with tattoos visible on their arm and chest.
Close-up of a person's hand applying white icing to a decorated cake with frosting and decorative elements.
Close-up view of small baby birds nestled inside a nest lined with shredded paper and natural materials.

Pour célébrer la vie, on célèbre les rides, les plis, l’évolution. On ne peut pas le faire dans le vide, à l’abri des aléas du temps et des traces laissées par les expériences vécues. Quel privilège de voir ces sillons et ces creux gravés dans la peau, façonnés par l’inquiétude, l’amour, l’émerveillement…

Chaque matin, quand je me réveille et que je me regarde dans le miroir, je remercie chacune d’entre elles pour l’histoire qu’elle raconte. Est-ce que c’est un peu mièvre? Peut-être. Est-ce vrai? Absolument.

A sculpture of two people hugging, with faces and limbs intertwined in an abstract style.

L'étreinte, céramique, huile, laine, 2023

Disponible à la galerie Arta de Toronto

A surreal sculpture of a human figure with a face replaced by a cloud of white and black hair, sitting with knees pulled to chest and arms wrapped around legs.
A sculpture of a person with a small face and a large head, featuring dark and gray hair, with the face expressing contentment, hugging their own arm.

« Les adieux ne concernent que ceux qui aiment avec leurs yeux. Car pour ceux qui aiment de tout leur cœur et de toute leur âme, la séparation n’existe pas. »

- Rumi

A sculpture of intertwined, human-like figures with exaggerated hair and distorted features, sitting on a surface with a plain background.
A sculpture of a human figure sitting with legs crossed and arms wrapped around their knees. The figure has a head with dark and white hair and appears to be made of a pale, matte material.
A figurine of a woman with long hair, sitting cross-legged, made of material that appears to be clay or ceramic, placed on a wooden surface against a dark background.

‘Meredith, techniques mixtes, 9 x 6,5 x 6,5, 2021

A creature with a human body and a distorted, smiling face with closed eyes and brown hair.
Close-up of a person with a small, pink, newborn baby held gently in their hands, showing intimate connection and tenderness.
A nude woman with black hair tied back, sitting cross-legged on a wooden stool, facing sideways with her eyes closed and head tilted upward, against a dark background.

Le prénom « Meredith » recèle de magnifiques significations, dont celle de « grande souveraine ».

On peut régner sur les autres et être puissant, mais se maîtriser soi-même, voilà la véritable maîtrise.

« Les quatre accords »

Soyez irréprochable dans vos paroles :

Parlez avec intégrité, ne dites que ce que vous pensez et évitez d’utiliser des mots pour parler négativement de vous-même ou des autres.

Ne prenez rien personnellement :

Ce que les autres disent et font est une projection de leur propre réalité, et non un reflet de vous-même. Le prendre personnellement engendre une souffrance inutile.

Ne faites pas de suppositions :

Posez des questions et demandez des précisions pour éviter les malentendus, les reproches et les drames.

Faites toujours de votre mieux :

Ce que vous considérez comme « votre mieux » changera d’un moment à l’autre, mais faire de votre mieux est le moyen le plus sûr d’éviter de vous juger vous-même. »

-Don Miguel Ruiz

Statue of a seated woman with her back turned, made of a material resembling wood or clay, placed on a round wooden platform, against a plain dark background.
A child with curly red hair, closed eyes, and a headband, sitting in a small bathtub filled with water, surrounded by greenery and kitchen items on a rustic table.

Tremper polymère, résine, verre Corningware, tissu, 8 x 10 x 12 pouces 2025

Une vision simple d’une œuvre complexe. La création de cette œuvre a été marquée par l’exploration, l’indignation et l’humour, alors que je réfléchissais à l’idée selon laquelle « la place des femmes est dans la cuisine » après une journée particulièrement difficile…

La place des femmes, c’est la sécurité et le bonheur. Un bain dans un plat en Corningware, symbole de la vie domestique renversé : loin d’être une contrainte, c’est un réconfort et un refus de se plier aux normes. J’ai photographié cette œuvre dans ma cuisine, mon havre de paix, avec des œufs frais et la lumière du matin.

A woman with curly hair, wearing a red and white checkered headscarf, is taking a bath surrounded by green foliage, with her eyes closed and a peaceful expression.
A hand with soap suds on fingers brushing against a bar of blue-bar soap with partially visible writing, sitting on a surface near a person's red and white checkered clothing.
A rustic kitchen scene with a doll in a washing basin, surrounded by fresh vegetables, eggs, herbs, and seasonings on a wooden table and cutting board.

Petites sculptures et curiosités

Des pièces fantaisistes, souvent conçues pour s’adapter à la main, tantôt en céramique, parfois non.

A hand holding a small sculpture of a human face with closed eyes against a dark background.
A sculpture of a human face with a protruding nose and closed eyes, mounted on a wooden block.

Petit berceau de grand-mère, céramique cuite en fosse avec berceau en noyer

Four white sculpture busts of children's heads on a dark shelf, each with different facial expressions, against a beige wall.

Le chœur, cuisson au four, huile

Hands holding a black sculpture of a person's head with detailed facial features and closed eyes.

Tête, cuite en fosse, en céramique polie

A person holding up a doll with closed eyes and a white bonnet with blue polka dots in front of a gray wall.

Rouleau de mamie polymère, laine, tissu 5,5 × 5 × 3,5, 2025

A hand holds a small, dark-colored ceramic head sculpture with closed eyes and detailed facial features against a plain light gray background.

Petite mamie, céramique cuite au four à fosse

Six small bronze sculptures of heads and upper bodies with expressive faces, lined up on a dark surface. Each sculpture has a letter underneath: Ż, Ą, Ś, Ć, Ź. The background is plain and light-colored.

Literki Babci, cuit en fosse, en céramique polie

Close-up of a decorative wooden sculpture with a carved face, placed on a wooden surface against a neutral gray wall.
Close-up of a carved wooden sculpture of a smiling face with a rounded nose, placed on a wooden surface with a textured gray background.
Close-up of a small, textured, brown, irregularly shaped sculpture with a silver sphere on top, placed on a wooden surface against a plain background.

Joie, céramique cuite en fosse, polie, avec patine dorée, 9 × 7 × 4, 2023

Animalia

A person with curly hair wearing a gray costume with bunny ears, with the face visible through a hole in the costume.
A person wearing a gray bunny costume with long ears, sitting on a wooden surface, with their face visible through the costume's opening, against a plain light-colored background.

Petit Lapin (A tendance à rester dans son coin, en compagnie de son imagination et d’un ou deux dragons. Possède un livre secret aux pages cornées, dont la couverture a disparu avec le temps, qu’il garde toujours sur lui, un peu comme une doudou littéraire.) Polymère, époxy, cachemire, 14 x 12 x 7 pouces, 2025

A plush teddy bear with grey and white fuzzy fur, wearing a bear-themed hood, sitting at a table with various bowls and utensils around.

Petit Ours (qui n’aime pas le miel, qu’il trouve trop sucré, mais qui te chantera une chanson en échange d’une orange bien fraîche, tout droit sortie du réfrigérateur), polymère, époxy, techniques mixtes, 2025

EXPOSITIONS

​2026    Galerie Arta, Toronto, Canada

​2025    Galerie Arta, Toronto, Canada

2024    Fédération des artistes canadiens - 2ième place

Prix en ligne

             Galerie Arta, Toronto, Canada

2023    Galerie Arta, Toronto, Canada

Finaliste, Sacha Young Sculpture Prize, Beautiful Bizarre

2022    Galerie Arta, Toronto, Canada

             Salon d'art Størpunk, Exposition «Nude»,  Allemagne

              TOAF61 (en-ligne), Canada

              Størpunkt, «Half a pound of art»,  Allemagne

Finaliste, Sacha Young Scultpure Prize, Beautiful Bizarre         

2021    Galerie Arta, Toronto, Canada

             Salon d'art de Toronto (en-ligne), Canada

             Colour and Calm - Sélection réalisée par Stéphane Monnet & Jeroen Dijkstra

             Visual Voices - Sélection réalisée par Alex Garant

2016   Galerie d'art Clifton, Royaume-Uni

             Fringe Bath Art Festival, Royaume-Uni

2010    Galerie Bielik, Montréal, Canada

MÉDIAS                                        

2023     Info Mag.  - Critique

2021    Monolith Volume,  Entrevue – Vol. XIV, décembre

             Monolith Volume - Critique

2021    Polymer Week Magazine, Article vedette - Entrevue - Édition d'octobre

2020    Photo Life Magazine, Gagnante du concours de photographie Showtime - Vol. 45, no 4

PUBLICATIONS

2025     Polymer Week -  Descriptif

​2024     Polymer Week  - Descriptif  

2022     All She Makes, Descriptif -  Issue 4

2016    We Are Sister Stories , Blogue, «Choisissez votre histoire, définissez votre propre sens»

ENTREVUES

​2025    Polymer Week Podcast

2023    Polymer Week Podcast et YouTube                                                         

2021    Famous When I'm dead Podcast

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RÉSIDENCES ET ENSEIGNEMENT

​2025    Polymer Week, Pilsen République tchèque

2016    Unit10, Bristol, Royaume-Uni

​

EDUCATION

2007    Baccalauréat en beaux-arts (spécialisation en arts plastiques) , Université Concordia, Canada

2004    Communications: Arts, médias, théâtre, Cégép Vanier, Canada



Demandes de renseignements

A detailed miniature sculpture of an elderly man's face with white hair, closed eyes, and a peaceful expression, wearing a patterned red shirt.

Germaine, alias Granny G. (Elle aime prendre un petit verre de remède le soir et est très douée pour tricoter des bas colorés.) Polymère, tissu, laine. 6,5 x 6,5 x 5 pouces, 2021 – vendu

Sculpture

A surreal image of a baby with a human face and teeth, dressed in a full-body grey wolf costume with ears, sitting on a wooden floor against a plain wall.

Little Rabbit 4x12x7 “, 2025

Artist Statement

My work is deeply rooted in the exploration of self-acceptance, identity, and the human experience. My photo-realistic sculptures focus on capturing the nuanced emotions that come with embracing one’s body and identity, especially in a world where external standards often dictate self-worth. Through hyper-realism, I seek to convey the quiet yet powerful stories embedded in every wrinkle, scar, and expression, all of which carry the marks of personal history, struggles, and triumphs. The human form serves as my primary canvas.

In crafting each piece, I strive to reflect the complex relationship people have with their bodies, both the reverence and the discomfort… an invitation to pause and recognize the inherent value in our natural, unaltered selves. Through portraiture and figuration, I celebrate the imperfections that make us whole, reminding us that every line tells a story, every detail contributes to our identity.

I aim to foster a sense of acceptance, not just of one’s external appearance but of one’s inner narrative, understanding that self-worth transcends societal expectations.

Ultimately, my art is an invitation to recognize the beauty in the complexities of identity, encouraging viewers to see themselves and others with greater empathy and acceptance.

The Divine Feminine

A sculpture of an elderly person in a yoga pose, lying on a textured white platform with hands stretched forward and head resting on the floor, with the words "Deep Sleep" written above against a plain background.

Deep Sleep, Mixed media, size 20×8×6 inches, 2021

Creating lived-in bodies is about ownership and beauty. It’s about celebrating the achievements and experiences etched on our skin. The roadmaps of our lives, focusing on the marks of time that are so often overlooked. These bodies, our bodies, hold history, resilience, and presence. They are not imperfect, they are lived, and they are seen.

A tiny, detailed sculpture of an elderly woman with gray hair, lying curled on a white pillow with a textured cover, placed on a black surface.
Close-up of an elderly person's face, showing a woman with gray hair and closed eyes, resting her head on a person's hand. The image captures wrinkles and age spots on her skin, conveying a sense of tenderness and calm.
A hand holding a piece of paper with a photo of an elderly woman sleeping, with her face resting on her arm.
Close-up of a white sculpture showing part of a face with closed eyes, surrounding hair, and a man's arm resting on the sculpture.
A sculpture of an elderly woman with white hair, sitting curled up with her arms around her knees, outdoors against a background of trees and dark soil.
A sculpture of an elderly woman with white hair, sitting on a rock with her knees up and arms crossed over her knees, in a wooded area with trees in the background.

Requited, ceramic, oil, wool, 12 x10 x 10 inches

A sculpture of an elderly person with white curly hair, sitting nude on a small, cylindrical stone block, with a white ball covering their mouth.

Bubblegum, Polymer, glass, wool, wood, 12" x 6.5" x 5", 2021

2023 Beautiful Bizarre Art (Yasha Young Sculpture prize) finalist, album cover for the Summerset Band, muse, whimsical, self possessed woman. Aging is a privilege, growing up is a choice.

Choosing play, whimsy, exploration…

Bubblegum Granny Prints available - 6x9 card. So technically they are granny grams. Gran grams. Gram grams…

Close-up view of a person's hand holding a knitting needle and yarn, working on a knitting project, with a soft blurred background.
A woman with short hair, wearing headphones around her neck, is seated at a table holding a paintbrush and working on a project. The background features containers with art supplies.
A woman with curly red hair sitting on a textured white platform, surrounded by white decorative elements, against a dark background.

Juniper, mixed media, 12" x 14" x 14", 2026

Close-up of a person's skin with a tattoo, partially obscured by water droplets or tears.
A person with curly hair covered in white foam or whipped cream, looking down, with tattoos visible on their arm and chest.
Close-up of a person's hand applying white icing to a decorated cake with frosting and decorative elements.
Close-up view of small baby birds nestled inside a nest lined with shredded paper and natural materials.

In order to celebrate life, one celebrates lines, wrinkles, growth. You can’t do that in a vacuum, sterilized against the winds of time and maps of lived experience. What a privilege to see furrows and valleys etched in skin, worn by worry, love, awe…

Every morning I wake up and look in the mirror I thank each one for the story it tells. Is it cheesy? Maybe. Is it true, absolutely.

A sculpture of two people hugging, with faces and limbs intertwined in an abstract style.

The Embrace, Ceramic, oil, wool, 2023

Available through Arta gallery in Toronto

A surreal sculpture of a human figure with a face replaced by a cloud of white and black hair, sitting with knees pulled to chest and arms wrapped around legs.
A sculpture of a person with a small face and a large head, featuring dark and gray hair, with the face expressing contentment, hugging their own arm.

“Goodbyes are only for those who love with their eyes. Because for those who love with heart and soul there is no such thing as separation. “

- Rumi

A sculpture of intertwined, human-like figures with exaggerated hair and distorted features, sitting on a surface with a plain background.
A sculpture of a human figure sitting with legs crossed and arms wrapped around their knees. The figure has a head with dark and white hair and appears to be made of a pale, matte material.
A figurine of a woman with long hair, sitting cross-legged, made of material that appears to be clay or ceramic, placed on a wooden surface against a dark background.

‘Meredith, mixed media, 9x6.5x6.5, 2021

A creature with a human body and a distorted, smiling face with closed eyes and brown hair.
Close-up of a person with a small, pink, newborn baby held gently in their hands, showing intimate connection and tenderness.
A nude woman with black hair tied back, sitting cross-legged on a wooden stool, facing sideways with her eyes closed and head tilted upward, against a dark background.

The name ‘Meredith” comes with some wonderful meanings, ‘great ruler’ being one.

One can rule over others and be powerful, but to rule oneself is true mastery.

‘The Four Agreements

  • Be Impeccable With Your Word:

    Speak with integrity, say only what you mean, and avoid using words to speak negatively about yourself or others.

  • Don't Take Anything Personally:

    What others say and do is a projection of their own reality, not a reflection of you. Taking it personally creates unnecessary pain.

  • Don't Make Assumptions:

    Ask questions and clarify to avoid misunderstandings, blame, and drama.

  • Always Do Your Best:

    Your best will change from moment to moment, but doing your best is the surest way to avoid self-judgment. ‘

    ‍ ‍

    -Don Miguel Ruiz

Statue of a seated woman with her back turned, made of a material resembling wood or clay, placed on a round wooden platform, against a plain dark background.
A child with curly red hair, closed eyes, and a headband, sitting in a small bathtub filled with water, surrounded by greenery and kitchen items on a rustic table.

Get Soaked, Polymer, Resin, Corningware, fabric, 8x10x12 inches 2025

A simple view of a complicated piece. The making of this work was one of exploration, outrage and humour as the notion of ‘Women belong in the kitchen’ was being pondered after a particularly difficult day…

Women belong in safety and delight. A bath in corningware, a symbol of domesticity flipped on its head, rather than a confine its is comfort, and a refusal to comply. I photographed this piece in my kitchen, my safe place, with fresh eggs and morning light.

A woman with curly hair, wearing a red and white checkered headscarf, is taking a bath surrounded by green foliage, with her eyes closed and a peaceful expression.
A hand with soap suds on fingers brushing against a bar of blue-bar soap with partially visible writing, sitting on a surface near a person's red and white checkered clothing.
A rustic kitchen scene with a doll in a washing basin, surrounded by fresh vegetables, eggs, herbs, and seasonings on a wooden table and cutting board.

Animalia

A person with curly hair wearing a gray costume with bunny ears, with the face visible through a hole in the costume.
A person wearing a gray bunny costume with long ears, sitting on a wooden surface, with their face visible through the costume's opening, against a plain light-colored background.

Little Rabbit, (Tends to keep to themselves, accompanied by their imagination and a dragon or two. Has a secret, dog-eared book from which the cover has been lost to time kept somewhere on their person at all times like a literary binky.) Polymer, epoxy, cashmere, 14x12x7 inches, 2025

A plush teddy bear with grey and white fuzzy fur, wearing a bear-themed hood, sitting at a table with various bowls and utensils around.

Little Bear, (doesn’t like honey, finds it too sweet, but will sing you a song for a cold orange, straight out of the fridge) polymer, epoxy, mixed media, 2025

Small Sculptures & Oddities

Whimsical pieces, often made to fit the hand, sometimes ceramic, sometimes not.

A hand holding a small sculpture of a human face with closed eyes against a dark background.
A sculpture of a human face with a protruding nose and closed eyes, mounted on a wooden block.

Little cradle granny, pit fired ceramic with walnut cradle

Four white sculpture busts of children's heads on a dark shelf, each with different facial expressions, against a beige wall.

The Choir, kiln fired, oil

Hands holding a black sculpture of a person's head with detailed facial features and closed eyes.

Head, pit fired, burnished ceramic '

A person holding up a doll with closed eyes and a white bonnet with blue polka dots in front of a gray wall.

Roller granny, 5.5×5×3.5, 2025

A hand holds a small, dark-colored ceramic head sculpture with closed eyes and detailed facial features against a plain light gray background.

Little granny, pit fired ceramic

Six small bronze sculptures of heads and upper bodies with expressive faces, lined up on a dark surface. Each sculpture has a letter underneath: Ż, Ą, Ś, Ć, Ź. The background is plain and light-colored.

Literki Babci, pit fired ceramic

Close-up of a decorative wooden sculpture with a carved face, placed on a wooden surface against a neutral gray wall.
Close-up of a carved wooden sculpture of a smiling face with a rounded nose, placed on a wooden surface with a textured gray background.
Close-up of a small, textured, brown, irregularly shaped sculpture with a silver sphere on top, placed on a wooden surface against a plain background.

Joy, pit fired, burnished ceramic with gold patina, 9×7×4, 2023

EXHIBITIONS

Upcoming - Antlers Gallery, USA

​2026    ARTA Gallery, Canada

​2025    ARTA Gallery, Canada

2024    Federation of Canadian Artists Choice - 2nd place

online Awards

             ARTA Gallery, Canada

2023    ARTA Gallery, Canada

Finalist, Sacha Young Scultpure Prize, Beautiful Bizarre

2022    ARTA Gallery,  Canada

             Størpunkt Gallery, Nude,  Germany

              TOAF61 (Online), Canada

              Størpunkt, Half a pound of art,  Germany 

Finalist, Sacha Young Scultpure Prize, Beautiful Bizarre         

2021   ARTA Gallery, Canada

             Toronto Art Fair    (Online), Canada

             Colour and Calm - Curated by Stéphane Monnet & Jeroen Dijkstra

             Visual Voices - Curated by Alex Garant

2016   Clifton Art Gallery, United Kingdom

             Fringe Bath Art Festival, United Kingdom

2010    Galerie Bielik, Canada

MEDIA

2023     Info Mag.  - Review

2021    Monolith Volume,  Interview - Vol XIV December 

            Monolith Volume - Review

2021    Polymer Week Magazine, Showcase article - Interview  - October Issue

2020    Photo Life Magazine, Winner, Showtime Photography Competition  - Vol. 45, no. 4

PUBLICATIONS

2025     Polymer Week -  Feature

2022     All She Makes, Feature -  Issue 4

​2024     Polymer Week  - Feature      

2016    We Are Sister Stories , Blog,  Choose Your Story, Assign Your Meaning

INTERVIEWS

​2025    Polymer Week Podcast

2023    Polymer Week Podcast and YouTube                                                         

2021    Famous When I'm dead Podcast

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RESIDENCIES & TEACHING

​2025    Polymer Week, Pilsen Czech Republic

2016    Unit10, Bristol, United Kingdom

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EDUCATION

2007    BFA Studio Arts , Concordia University, Canada

2004    Communications: Arts, Media, Theatre, Vanier College, Canada



Inquiries

A detailed miniature sculpture of an elderly man's face with white hair, closed eyes, and a peaceful expression, wearing a patterned red shirt.

Germaine, aka Granny G. (Likes a medicinal tipple in the evenings and is excellent at knitting colourful socks. ) Polymer, fabric, wool. 6.5x6.5x5 inches, 2021 - sold